Bộ vi xử lý tín hiệu

JBL KX-100 Vừa là một Mixer+professor vừa là preampli với đầy đủ các tính năng.
Đặc biệt sản phẩm thiết kế chuyên cho Karaoke giúp người dùng dễ dàng kết nối vào ampli của hệ thống âm thanh gia đình.
KX-100 là sự kết hợp của những sản phẩm chuyên dụng của hãng dbx và Lexicon được lựa chọn bởi nhiều ca sĩ trên thế giới.

MARANI DPA240P là hệ thống quản lý loa kỹ thuật số 2-IN / 4-OUT hiệu quả về chi phí. Được thiết kế để phục vụ cho bất kỳ cấu hình crossover nào, nó cung cấp sự xử lý và kiểm soát phù hợp để sử dụng ứng dụng trực tiếp. Nó cung cấp 2 đầu vào tương tự, và 4 đầu ra tương tự, được quản lý bởi một động cơ MARANI® DSP mạnh mẽ, ngoài bộ chuyển đổi 24 bit AD / DA. Mỗi kênh đầu vào cung cấp lựa chọn EQ với bộ lọc Parametric 11 dải, kiểm soát độ lợi, tăng cường động, chức năng cổng tiếng ồn, máy nén RMS, bộ phát tiếng ồn trắng / hồng bên trong và độ trễ cấu hình. Mỗi đầu ra cung cấp lên đến 7-band của cân bằng tham số trong các bộ lọc chéo mà mình cung cấp dốc từ 6dB / Octave lên đến 48dB / Octave. Mỗi đường dẫn đầu ra cũng có tính năng giới hạn cao điểm hoặc bộ lọc RMS Compressor có thể chọn, bộ lọc Dynamic Loudness (chỉ đầu ra 1,3) và độ trễ liên kết trình điều khiển.

Các DPA240P hỗ trợ một ma trận đầy đủ chế độ mà đầu vào có thể được chuyển / hỗn hợp trong bất kỳ tỷ lệ cho bất kỳ đầu ra trộn. Để cấu hình và điều khiển từ xa, DPA240P có thể được kết nối thông qua kết nối USB hoặc RS485. Phần mềm điều khiển từ xa cho phép điều khiển đồng thời lên đến 32 thiết bị, thiết lập tất cả các thông số và hiển thị các mức thời gian thực.

Stereo Reverb/Effects Processor

Reverb and Effects Processor

10 Input/12 Output FireWire Audio Interface

8-Input USB 2.0 Desktop Recording Studio

Lexicon I-ONIX U42S | 4-Input USB 2.0 Desktop Recording Studio
4-Input USB 2.0 Desktop Recording Studio

Lexicon I-ONIX U22 | 2-Input USB 2.0 Desktop Recording Studio
2-Input USB 2.0 Desktop Recording Studio

Lexicon Omega OSB Desktop Audio Interface/Mic Bundle

8x4x2 Desktop Recording Studio

4x2x2 Desktop Recording Studio

2x2x2 Desktop Recording Studio

4-in/4-out Reverb/Effects Processor with USB "Hardware Plug-In"

Stereo Reverb/Effects Processor with USB "Hardware Plug-In" Capa

TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON� EFFECTS. ENDLESS POSSIBILITIES.
Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon� brings the best of both worlds together in the MX200 Dual Reverb/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx� dynamics. Each of the 32 stunning reverbs and effects � and their parameters � are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor/Librarian and VST� / Audio Units software, and bring 35 years of Lexicon heritage to your desktop.

MX200 Lexicon đã cung cấp khả năng sáng tạo để tích hợp với một máy chủ sequencer giống như một hiệu ứng plug-in. Các MX400 cập nhật đi một tốt hơn - nó làm tất cả điều đó, nhưng với động cơ hiệu ứng xử lý dual quá.

Designed to provide incredible flexibility, sonic excellence and intuitive control for performance applications, the DriveRack® 4800 is the new flagship of the hugely successful DriveRack family. From the powerful 96 kHz DSP engine and standard analog and digital I/O, to the QVGA display and multiple control surfaces, the 4800 provides all the processing, flexibility and control necessary for both installation and live use. The menu-based set-up procedure includes selectable DSP inserts on all inputs and outputs including classic dbx compression, limiting and advanced feedback suppression (AFS) among others.
The DriveRack 4800 is the next generation of the famous DriveRack family, and like its predecessor it is engineered to provide "Everything you need between the mixer and the power amps". In keeping with this philosophy the 4800 includes four inputs and eight outputs with both analog and digital connectivity. The 96 kHz processing engine is capable of offering insert processing functions to customize the processing path for your application, in addition to the standard system processing functions all with extremely low latency and extended frequency response. From Signal Routing, EQ, and Bandpass Filters, to classic dbx® Dynamics and Feedback Suppression all the processing is available and with the sonic excellence that you would expect from the world's leading system processing manufacturer. With all this processing power available, control is of paramount importance. The DriveRack provides a full color display to speed manual operation; this combined with intuitive front panel controls, an easy to use GUI and optional wall panel controllers means that whether your application is tour sound or installation, the DriveRack 4800 has what it takes.
48 and 96 kHz operation
Color QVGA Display
4 analog and AES/EBU inputs
8 analog and AES/EBU outputs
Optional Jensen® I/O Transformers
Full Bandpass Filter, Crossover and Routing Configurations with Bessel, Butterworth, and Linkwitz-Riley filters
31-Band Graphic and 9-band Parametric EQ on every input
6-band Parametric EQ on every output
Loudspeaker Cluster and driver Alignment Delays
Selectable DSP inserts on all inputs and outputs including Classic dbx Compression, Limiting and Advanced Feedback Suppression among others
Ethernet HiQnet™ networking control
dbx ZC wall panel control

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx® DriveRack® products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS™).

The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus® limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare™ GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.
Feedback Elimination
2.7 Seconds of Alignment and Zone Delay
RS-232 PC GUI control
Classic dbx Compression and Limiting
Graphic and Parametric EQ
Auto-EQ Function
Full Bandpass, Crossover, and Routing Configurations
Auto Gain Control
Pink Noise Generator and fulltime RTA
Setup Wizard with JBL speaker and Crown Power Amplifier Tunings
Security Lockout
Wall Panel Control Inputs

Powered speakers are a beautiful thing. Everything you need bundled into one simple, tidy, portable package. Just grab ‘em and go, right? Well, you may think your powered speaker system is complete, but you’re missing half the picture. DriveRack PX is the other half. In another dbx industry first, we’ve created a processor specifically tailored for powered speakers. Utilizing our highly-acclaimed DriveRack technology, the PX picks up where your powered speakers leave off.

The DriveRack PX Powered Speaker Optimizer has everything you need to get the most out of your stereo powered speaker system. It even includes stereo or mono subwoofer support. With the included dbx M2 measurement mic, Auto-EQ corrects for audible deficiencies in the room environment. Our patented Advanced Feedback Suppression (AFS™) kills nasty feedback, allowing problem-free operation at higher sound levels, while our patented Subharmonic Synthesizer™ extends bass response for enhanced bottom end. With all that, you also get classic dbx compression and the protection offered by our graceful PeakPlus™ limiting. Your ears, your audience, and your powered speakers will forever thank you.
In spite of all that sophistication, rest assured we won’t overcomplicate the simplicity of your rig. Our exclusive Setup, Auto-EQ, and AFS Wizards, and out-of-the-box support for a host of JBL and other popular powered speakers, make setup a snap. Louder, cleaner, better sound than you thought possible from your powered speakers.
Stereo Feedback Elimination with 12 feedback notch filters

Why just rock the house when you can rattle the foundation loose. The wildy popular beat of "House Music" is likely to be driven by the throbbing, low-end bass of dbx® Subharmonic Synthesizers in clubs around the world. For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJ's and film and sound professionals to produce an impact unavailable from any other device unique because the dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio. The dbx 120A Subharmonic Synthesizer with Modeled Waveform Synthesis has been specially optimized by dbx engineers for the needs of audio professionals. Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent Low Frequency Boost circuit is designed to get the most out of high-performance low frequency speaker systems.

Flexible system interfacing is achieved by providing both 1/4î and RCA input connectors, along with main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control.

The 120A's patented subharmonic synthesis process actually builds the synthesized waveform using the waveshape of the original bass material. Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don't interfere with mid and high-band information, even when maximum synthesis and boost are applied. The result is a low-end punch that people really feel, even at system levels that won't destroy sound equipment or damage hearing.

Individual control for two ranges of subharmonic frequencies
Separate Low Frequency Boost Circuit
Separate Subwoofer Output
1/4" Balanced inputs and outputs
RCA Input Connectors
Front panel LEDs that show crossover status and synthesis activity
Patented circuitry ensures that mid and high frequencies are not affected
Built-in crossover with choice of 80Hz or 120Hz crossover point
Enhance bass audio material for use in a veriety of professional applications such as:
Nightclub and dance mixing
DJ Mixing

The AFS 224 Advanced Feedback Suppression processor was designed to provide state-of-the art feedback elimination processing, while maintaining a simple and intuitive control interface. From the powerful DSP module to the no-nonsense user interface, the AFS 224 provides all the processing and control necessary for both installation and live use. The AFS 224 is an absolute must for any live sound application.
Ten and twelve filter feedback elimination processors have become the de facto standard, but the engineering staff at dbx have never been quite content residing in the neighborhood of the status quo. So, to raise the bar once again, they went out and developed a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their patent-pending AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor, which takes all of the guesswork out of feedback removal. In addition to the plethora of feedback suppression filters available, the AFS 224 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel.

dbx's Patent-pending (Advanced Feedback Suppression) AFS™ technology
24 Programmable Filters per Channel
Stereo or Dual Independent Channel Processing
Live and Fixed Filter Modes
Selectable Filter Lift Times
Application-specific filter types include: Speech and Music Low, Med and High
Input channel Metering
24 LED per Channel Filter Metering
XLR and TRS Inputs and Outputs

The PB-48 is a patchbay that just works, all the time, every time. It comes in two flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear. The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup.

The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx® Type IV™ conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.
The high impedance, 1/4" instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show our dedication to providing convenience in the studio. The 12 segment LED meters provide a visual indication of analog or digital levels at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you’ll agree that the 386 lives up to the innovative dbx® standards.

Two channel tube microphone preamplifier
Selectable 96kHz, 88.2kHz, 48kHz, or 44.1kHz sampling rate
24, 20, and 16-bit wordlengths
Selectable dither and noise shaping
AES/EBU and S/PDIF digital outputs
Word clock sync input and output
Separate analog and digital output control
Type IV™ conversion system
60dB of gain and +/- 15dB of output gain
Selectable mic/line switch
48 volt phantom power
20dB pad
75Hz low cut filter
Phase reverse
Segment LED analog/digital

IT’S TIME TO CHANGE THE CHANNEL! The standard of excellence for channel strip processors has just been raised once again. From the world leader in digital signal processing comes the new 376 Tube Channel Processor with digital output capabilities. dbx® Professional Products has been paving the way for audio excellence for more than 25 years, and with the creation of the 376, the drive continues. The 376 has taken the essential tools needed for channel strip processors and has greatly added to the feature list, making it an all inclusive toolbox that offers all of the effects required. With an effect menu list that includes such standard features as: a tube preamp section, 3-Band parametric EQ section, Compressor, De-Esser and digital outputs, the 376 is the perfect companion piece for recording and tracking vocals and mic’d applications in the analog and digital domain.
The 376 Tube Channel Strip w/Digital Output is the latest addition to the Silver Series family. The 376 puts the best of both worlds into one affordable package by combining the warmth of the vacuum tube, with the proprietary dbx Type IV® conversion system. The 376 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering. In addition, the 376 also offers digital output capabilities in both AES/EBU, and S/PDIF formats as standard features. The high impedance, 1/4" instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show our dedication to providing convenience in the studio. The LED meters provide a clear and concise visual of the signal processing at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, insertion jack and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you’ll agree that the 376 lives up to the uncompromising standards of dbx Professional Products.
Tube microphone pre-amp
200V tube plate voltage
Selectable mic/line switch
+48 Volt phantom power
3-Band Parametric EQ
Compressor
De-Esser
Front panel instrument input
Drive meter LEDs
Threshold and De-Esser meters
8 segment analog or digital meter
Type IV® conversion system
Selectable sampling rate (96, 88.2, 48, 44.1kHz)
24, 20 and 16 bit wordlengths
AES/EBU and S/PDIF digital outputs
Selectable dither and noise-shaping algorithms
Word clock sync input and output

The dbx® 286A's Mic Preamp and Five processors can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The dbx 286A's sonically pristine Mic Preamp has all the features you need, including wide-ranging input gain control, switchable 48V phantom power and an 80Hz high-pass filter. Use the 286A's newly designed and patented OverEasy® Compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" rock vocal. Take out vocal sibilance and high frequency distortion in cymbals with the 286A's frequency tunable De-Esser. Fine-tune the Enhancer's HF Detail control to add sparkle and crispness to tracks. LF Detail control adds fullness and depth to vocals and bass instruments while simultaneously cleaning up muddy low midrange frequencies. And, the Expander/Gate's separate threshold and ratio controls allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.
The dbx® 286A's full complement of metering and status LEDs visually guide you to achieving the right sound. The floating balanced XLR mic input accepts balanced or unbalanced inputs. An additional 14" TRS phone jack can accept balanced/ unbalanced line signals to process live electronic instruments or pre-recorded tracks at mixdown. An insert jack between the 286A's Mic Preamp and signal processing sections can be used to "loop out" to external processors (such as EQ) or to mix the Mic Preamp's signal out to an external destination.
The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx® 286A gives you all the tools you'll need in one box, with the shortest signal path to help keep your music sounding clean.
Features
New dbx® standard internal power supply
Frequency control for De-Esser
Expanded meter to show heavy De-Essing
Above/Below threshold indicator for gate
+48VDC Phantom Power
Precision detented controls

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed.

From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074’s independent channel design with key filtering capabilities make it the perfect tool for countless applications.
Four independent channels of gating
Independent key filtering
Independent Threshold and Release controls
Differentially balanced gold-plated XLR and 1/4" inputs and outputs
True RMS level detection
Stereo Coupling mode
Switchable +4dBu or -10dBv operation per channel

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate.

Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.
For overall speaker protection, our new PeakStopPlus™ does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy® characteristics make the 1066 ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate.
In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation.
At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more.
State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.
Selectable auto (classic dbx®) or manual (variable Attack and Release) compression
Contour switch removes unwanted low frequency information from detector circuit
Selectable Overeasy® or Hard Knee compression modes
PeakStopPlus™ limiting for setting maximum allowable level with minimal distortion
SC Ext and SC Mon for setting up and monitoring external devices for gating function
True differentially balanced gold-plated XLR and 1/4" inputs and outputs
True RMS level detection
Precision metering of input level, output level, and gain reduction
True stereo or dual mono operation
Switchable +4dBu or -10dBV operation per channel

Since its inception the 160S has become the mark for which other compressors reach. As the leader in VCA and compressor design and engineering, we at dbx are always seeking to improve our products and give you the best possible compression solutions. With the newly improved 160SL, we introduce the patent-pending AutoVelocity technology. With AutoVelocity it is now easier than ever to dial up the exact attack and release effect you are looking for, via the program-dependent, or non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material.

The same striking blue front panel machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis still mark the 160SL as the leader for decades to come. The 160SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 160SL now offers AutoVelocity manual mode, in addition to our classic OverEasy® mode, made standard by the classic dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus, are included in the 160SL.

The heart of any dynamics processor is its VCA. The dbx 160SL is no different. It features dual proprietary V8 VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard-of 127dB dynamic range and ultra-low distortion. Encased in a specially designed aluminum-zinc housing for shielding and thermal characteristics, the V8 maintains its superior performance in harsh environments. The new 160S takes full advantage of the most technologically superior components available today. Premium active electronics, precision 0.1% and 1% metal film resistors, great sounding temperature stable polypropylene capacitors, high-reliability board-to-board connectors with gold-palladium-nickel contacts, Jensen® transformers, gold plated Neutrik® XLRs, rare earth magnet relays with gold contacts in a hermetically sealed nitrogen environment, military grade glass epoxy circuit boards, to mention a few, contribute to the most technologically advanced compressor in the world.
Patent-pending AutoVelocity™ circuit
127dB of Dynamic Range
High-Drive output transformer circuit drives 1000 ft. of Belden® cable at +30dBu with only .007% THD
Switchable between Hard-knee and OverEasy® Compression
Program-dependent "Auto," AutoVelocity™ or fully variable attack ad release manual modes

The same familiar striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis mark the 162SL as a leader for decades to come. The 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 162SL offers AutoVelocity™ manual mode, in addition to our classic dbx OverEasy® mode, made standard by the legendary dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx’s latest limiting algorithm PeakStopPlus™, are included in the 162SL.
The heart of any dynamics processor is its VCA. The dbx 162SL is no different. It features dual proprietary dbx VCA modules. This state-of-the-art implementation of dbx’s original Blackmer decilinear VCA boasts an unheard of dynamic range and ultra-low distortion seen only previously in the Blue 160SLs. With sonic clarity designed for the studio, the 162SL maintains its superior performance in harsh environments, pure enough for the studio, rugged enough for the road was the engineering motto of the Purple Series of Compressors / Limiters. Like it's big brother the 162SL, it takes full advantage of the best parts available and dbx's advanced manufacturing, including Jensen® transformers on each output standard. Following in the footsteps of the Blue Series 160SL, with the Purple Series 162SL, dbx continues to create to the most technologically advanced compressors in the world.

Super fast manual attack and release
High-Drive Jensen® output transformers
Hard-knee/OverEasy® switchable
Ultra-low distortion compression for unheard of clarity even under extreme gain reduction
Program-dependent "Auto," Patent-pending AutoVelocity™ Manual, or fully variable attack and release modes

Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Stereo or dual-mono operation
Balanced inputs and outputs on 1/4" TRS and XLR connectors
Side Chain insert
Classic dbx® "Auto" mode

Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Stereo or dual-mono operation
Balanced inputs and outputs on 1/4" TRS and XLR connectors
Side Chain insert
Classic dbx® "Auto" mode

Since its introduction in the mid 1970's, the dbx 160 series has been the world's most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that truly became the industry standard. Solid construction, fool proof operation, great sound, at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike.
The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough.
Featuring switch-selectable OverEasy® and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy® compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance.
The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.ent in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 160A is for you.
OverEasy® or classic hard knee compression with dbx's® ultra-musical program dependent attack and release times
Compression ratio variable from 1:1 through infinity :1 to negative compression
Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels
Over 60dB of gain reduction available
Exclusive Infinity+ compression allows negative compression
Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load
Optional output transformer capable
Strappable with another 160A for true RMS stereo summing operation

With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx® legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 31-band channels of 1/3-octave equalization, the iEQ-31 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of graphic equalizers. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-31 offers out of this world specifications with a down-to-earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-31 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional’s choice in signal processing. With such pristine design and quality, the iEQ-31 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.
Advanced Feedback Suppression (AFS™)
Type V™ Noise Reduction
PeakStopPlus® Limiting
1/3-octave Constant Q frequency bands
Switchable boost/cut ranges of +6 or +15dB
18 dB per octave 40Hz low-cut filter
+12dB input gain range
XLR, TRS and Euroblock Inputs and Outputs
Internal Toroidal Transformer
Dyanmic range of greater than 113dB
User Power Up Features
Relay Bypass for Power Failure System Protection

With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx® legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 31-band channels of 1/3-octave equalization, the iEQ-31 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of graphic equalizers. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-31 offers out of this world specifications with a down-to-earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-31 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional’s choice in signal processing. With such pristine design and quality, the iEQ-31 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.
Advanced Feedback Suppression (AFS™)
Type V™ Noise Reduction
PeakStopPlus® Limiting
1/3-octave Constant Q frequency bands
Switchable boost/cut ranges of +6 or +15dB
18 dB per octave 40Hz low-cut filter
+12dB input gain range
XLR, TRS and Euroblock Inputs and Outputs
Internal Toroidal Transformer
Dyanmic range of greater than 113dB
User Power Up Features
Relay Bypass for Power Failure System Protection

With an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 15-band channels of 2/3-octave equalization, the iEQ-15 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-15 offers out of this world specifications with a downto- earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-15 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional’s choice in signal processing. With such pristine design and quality, the iEQ-15 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.
Advanced Feedback Suppression (AFS™)
Type V™ Noise Reduction
PeakStopPlus® Limiting
2/3-octave Constant Q frequency bands
Switchable boost/cut ranges of +6 or +15dB
18 dB per octave 40Hz low-cut filter
+12dB input gain range
XLR, TRS and Euroblock Inputs and Outputs
Internal Toroidal Transformer
Frequency Response of 10Hz to 22kHz
Dynamic range of greater than 113dB
User Power Up Features
Relay Bypass for Power Failure System Protection

It's amazing. One little button. It has so much effect. The Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous 30 Series EQ's. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQ's sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus™ Limiter. Who knows more about limiting than the folks at dbx®; nobody... that's who. So when the guys were developing this new series of EQ's they wanted something that would be unique to these EQ's. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0 to +20dbu, the PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQ's. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx® Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III® Noise Reduction. Check out the dbx® 20 Series graphic EQ's at your pro audio outfitter. You'll see, with the 20 Series EQ's you get both MORE!!
Revolutionary instant encode/decode Type III® Noise Reduction in-circuit at the push of a button. Increases S/N ratio by up to 20dB
Patent-pending PeakPlus™ Limiter threshold range from 0dBu to +24dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal
Four segment LED bargraph for BOTH Gain Reduction AND Output Level
Status LEDs offer visual feedback for all settings on the front panel

The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
Switchable boost/cut ranges of ±6 or ±15 dB
Electronically balanced/unbalanced inputs
Servo balanced/unbalanced outputs
RF filtered inputs and outputs
XLR, Barrier Strip, and 1/4" TRS connectors
-12dB/+12dB input gain range
18dB/octave 40Hz Bessel low-cut filter
Chassis/signal ground lift capability
Internal power supply transformer
Power-off hardwire relay bypass with 2-second power-up delay

It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus™ Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx® Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!
Revolutionary instant encode/decode Type III® Noise Reduction in-circuit at the push of a button. Increases S/N ratio by up to 20dB
Patent-pending PeakPlus™ Limiter threshold range from 0dBu to +24dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal
An extremely high quality EQ, patent-pending Type III® Noise Reduciton, and the elegant new PeakPlus™ Limiter all in one great sounding box
Four segment LED bargraph for BOTH Gain Reduction AND Output Level offers the most comprehensive visual feedback available
Status LEDs offer visual feedback for all settings on the front panel

It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus® Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx® Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
Revolutionary instant encode/decode Type III® Noise Reduction in-circuit at the push of a button. Increases S/N ratio by up to 20dB
Patent-pending PeakPlus® Limiter threshold range from 0dBu to +24dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal
An extremely high quality EQ, patent-pending Type III Noise Reduciton, and the elegant new PeakPlus Limiter all in one great sounding box
Four segment LED bargraph for BOTH Gain Reduction AND Output Level offers the most comprehensive visual feedback available
Status LEDs offer visual feedback for all settings on the front panel

The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.

The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1215 provides standard features like dual channels, 15 2/3 octave bands, ISO frequency centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other thoughtful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 2U steel/aluminum chassis.

Exceptional sound and rugged reliability
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.
The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.
Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

Exceptional sound and rugged reliability
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.
The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best.
Sure to find a home in the studio, on tour and with installed sound venues, the dbx 215s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

Exceptional sound and rugged reliability
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.
The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.
Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

DBX PA+
The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA+; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, the new version has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.

Although the DriveRack PA+ is loaded with functions and features, it is easy to set-up and use. The dbx exclusive Set Up Wizards walk you through system set up with easy to follow step-by-step instructions. Just pick your speakers and amps from the built-in list on the PA+ and then let the Auto Level Wizard™ fine tune the level settings of each speaker. You can then let the Auto EQ® Wizard help you further optimize your sound. Finish up by using the AFS Wizard, which automatically sets filters to eliminate any feedback during performances. Within minutes, your system will sound like it was tuned by a pro! No experience required. Get the most out of your PA with the DriveRack PA+, the worldwide standard in loudspeaker management.