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The DTP Beat Kit 6 is a conveniently packaged start-up selection of dynamic and condenser drum and percussion microphones and mounts, designed to offer performers and audio engineers of all experience levels everything needed for expert live sound reinforcement, home recording and studio recording.

The 6-piece drum kit includes one DTP 340 REX and three DTP 340 TT super-cardioid dynamic drum mics, two LCT 140 condenser mics, windshields and drum- and shock mounting systems, and comes in a convenient black aluminium carrying case. Thanks to carefully tailored frequency responses optimized for drum and percussion applications, as well as precision dynamic capsules and uniform directional pickup patterns ensuring high gain before feedback, the DTP 340 REX and the DTP 340 TT deliver fine-tuned drum sound with extraordinary detail and impact onstage and in the studio. LEWITT’s highly versatile and compact condenser all-rounder, the LCT 140, allows for accurate and clear sound capture of cymbals. Its transformerless design makes it immune to electromagnetic interference, and convenient LED displays and recessed slide switches make it a perfect fit for live applications.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

The DTP Beat Kit Pro 7 is an elite full-spectrum drum set designed for an ever growing number of professional drummers and sound engineers looking for a high-performance all-rounder kit that allows for reproducing authentic, powerful sound full of detail in any setting. From upscale studio projects to big live acts, the DTP Beat Kit Pro 7 provides just the kind of reliable premium gear you need for a memorable performance.

This 7-piece pro-kit contains our drum mic masterpiece, the dual-element cardioid DTP 640 REX, three dynamic DTP 340 TT mics, two LCT 340 condenser mics and one cardioid dynamic MTP 440 DM mic, as well as a selection of shock and drum mounts. All these pro-quality, precision-engineered microphones feature a tailored frequency response designed specifically for miking drums, percussions and bass instruments. The complete package exhibits fantastic SPL handling and off-axis sound rejection, delivering remarkably bright, smooth and balanced sound-anytime, anywhere.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

The LCT 140 is an extremely versatile, easy-to-use, compact 2/3-inch back-electret condenser microphone, perfectly suited for quality-conscious casual users. Its low-mass diaphragm delivers an exceptionally clear and natural sound, making it the perfect fit for a wide range of live and studio applications including drums and percussion, acoustic instruments or even vocal ensembles.

Thanks to its uniform cardioid pickup pattern that effectively suppresses off-axis sound, a wide dynamic range of 124 dB and its very low self-noise, the LCT 140 adds transparency and distortion-free detail to every sound recording. Its transformerless output design makes it immune to electromagnetic interference. The LED display can optionally be switched on and off for better handling in different environments. In short, the LCT 140 is an extremely versatile all-rounder microphone.

LEWITT’s LCT 340 is a 0.8-inch externally polarized condenser microphone that excels at capturing acoustic and percussion instruments, drums and vocals, and is perfectly suited for sophisticated live and studio applications. Two interchangeable capsules allow for quick and easy switching of patterns, ensuring greater flexibility without changing microphones.

The LCT 340 is equipped with four-position low-cut filter and pre-attenuation slide switches, dual-color LED indicators and a convenient snap closure. It offers a dynamic range of 124 dB and stands out for its extremely low self-noise of 15 dB. Last but not least, its transformerless output makes this ruggedly designed pro-mic resistant to electrical interference and a first-class pick for true sound enthusiasts.

Thanks to variably controlled dual element technology and fine tuned frequency responses, our flagship among drum microphones, the DTP 640 REX, offers unparalleled and powerful sound that will delight professional drummers and sound engineers alike. The DTP 640 REX is equipped with a high quality dynamic element and a condenser element – the dynamic element ensures accurate reproduction of the bass drum kick, while the condenser element optimally captures the rich low frequency sound of the drum’s shell. In order to guarantee full control over the two elements, they can be separately mixed on their own channels.

Since 2012, the DTP 640 REX offers two more features. The dynamic element emphasizes frequency ranges relevant for the kick drum in the ‘Dynamic Enhanced Frequency Response’ setting switchable right on the microphone, while the condenser element captures the sound neutrally. With ‘Dual Enhanced Frequency Response’, the character of the sound can be shaped even more individually – with this setting, the condenser element focuses on frequencies from 70 to 150 Hz and delivers a full body sound. The dynamic element provides the necessary power by focusing on the range between 3 and 5 kHz.

The combination of these features with the comprehensive tonal freedom of dual-element technology greatly increases the range of use, turning the DTP 640 REX into a universal tool for bass-heavy applications.

The ambitious DTP 340 REX developed for entry-level use and its upscale big brother designed for professional use, the DTP 640 REX, make the hearts of beat aficionados beat faster. Thanks to its cardioid polar pattern and customized frequency response, the dynamic DTP 340 REX offers everything you need to mic bass instruments: catchy, impressive sound and reliable performance on stage and in the studio.

Since 2012, the DTP 340 REX offers another innovative feature. In addition to the accustomed neutral and pure sound – developed for maximum application diversity –, the ‘Enhanced Frequency Response’ switchable right on the microphone will deliver an unbeatably impressive sound by emphasizing frequencies from 70-150 Hz and 3-5 kHz – especially optimized for use on kick drums.

With the DTP 340 TT LEWITT introduces consistently high-performing wired dynamic microphones specifically designed to accurately capture the sound of drums and percussion instruments providing a maximum of acoustic presence and clarity in live sound applications.

Even in high sound pressure level applications, DTP 340 TT reproduces instrumental sounds with sonic detail and character. The super-cardioid polar pattern ensures that side and rear sounds are effectively rejected. Its rugged body and a hardened steel-mesh grille make this microphone highly durable professional gear for performers and audio engineers.

LEWITT DTP 40 Tr High performance 5-pin audio cable. Oxygen free copper, extremely low resistance and a tight cable shielding ensures best signal transmission (4 m length).

Suitable for

DTP 640 REX