SHURE SM93

The MTP 240 DM and MTP 240 DMs are rugged and exceptionally feedback-safe dynamic cardioid microphones tuned specifically for vocal applications. Perfectly suited for use in live performances and ambitious home studio recordings, these dynamic microphones please entry-level vocalists and professionals alike. Using state-of-the-art microphone technology, the MTP 240 DM and DMs are engineered to provide sound reproduction with exceptional clarity and detail. The optional on/off switch (MTP 240 DMs) and a tough steel-mesh grille that perfectly resists wear and abuse rounds out the models’ features.

As a vocal artist, you should have your own performance microphone. Honestly. Every FOH engineer will sign that. Otherwise you never know who used your mic before … and how. The MTP 240 DM is the perfect entry for every stage. The MTP 250 DM and MTP 250 DMs both offer an incredible bang for the buck, they focus on the main qualities of a professional handheld performance microphone – high gain before feedback, detailed, rich and authentic sound, easy handling and ruggedness. The MTP 250 DM and DMs feature a new improved internal shock-mount - the capsule of the MTP 250 DM and DMs is fully rubber-mounted enabling exceptionally low handling noise. A built-in spherical wind and pop filter compliments specially tailored frequency response to ensure consistently rich and powerful output in any setting. The new and smaller switch on the MTP 250 DMs efficiently prevents accidential operation and reduces unwanted handling noise. And both of them sound like way more expensive microphones … beautifully detailed with a nice and rich mid-range. You will definitely love your own microphone …

The MTP 440 DM is an exceptionally versatile, precision-engineered cardioid dynamic microphone ideally suited for upscale live sound and studio recording applications. Featuring a high-performance capsule which delivers a remarkably bright and lively sound, the MTP 440 is perfect for miking drums, percussion instruments, brasses, woodwinds, and vocals.

The MTP 440’s cardioid pattern ensures perfect off-axis rejection and exceptionally high gain before feedback. Unwanted reflections or background noise are effectively suppressed. High-quality components and rugged construction make it a number one choice for touring professionals and artists around the globe.

The LEWITT MTP 550 DM and MTP 550 DMs both focus on the main qualities of a professional handheld performance microphone – high gain before feedback, detailed, rich and authentic sound, easy handling and ruggedness. The MTP 550 DM and DMs feature a new improved internal shock-mount - the capsule of the MTP 550 DM and DMs is fully rubber-mounted enabling exceptionally low handling noise. A built-in spherical wind and pop filter compliments specially tailored frequency response to ensure consistently rich and powerful output in any setting. The new and smaller switch on the MTP 550 DMs efficiently prevents accidential operation and reduces unwanted handling noise. These high-performance cardioid dynamic handheld microphones should be part in any professional set of live microphones.

LCT 240 là micro thu âm condenser với hiệu suất cao, không bị biến dạng và âm thanh tự nhiên ấm áp. Với tự tiếng ồn rất thấp và dải động rộng đảm bảo tái tạo âm thanh chi tiết trong bất kì thiết lập. Được thiết kế để sử dụng trong các buổi biểu diễn trực tiếp cũng như ghi âm studio, LCT 240 sẽ để lại một ấn tượng lâu dài với người dùng mong đợi theo dõi âm thanh chính xác và không thay đổi trong giọng nói, giọng hát và nhạc cụ.

The LCT 450 steps up to the plate with the LCT 540’s capsule and thus features a natural, authentic sound with first-class transient response due to the ultra-thin, gold-layered, low-mass, 1-inch diaphragm, while its cardioid polar pattern ensures effective rear sound rejection both onstage and in the studio. It comes with two-step switchable pre-attenuation for an ear-splitting maximum SPL of 173 dB at 20 dB of attenuation. Two low-cut settings help to reduce unwanted low-frequency noise like wind, footsteps or the like.

Clever features known from flagships like the LCT 640 or LCT 940 are also onboard, including automatic attenuation and clipping history – as well as, of course, the illuminated user interface for quick and easy handling in dark environments. All this, combined with the brilliant, clear and authentic sound that characterizes our recording microphones, has been packed into our well-known LCT 240 housing to ensure that the LCT 450 isn’t too dominant as an onstage overhead; studio users, on the other hand, will appreciate the appealing look that reflects its professional inner workings.

In short: the LCT 450 has everything it needs and nothing more, so what you pay for is pure performance rather than gimmicks. The LCT 450 is LEWITT’s gateway to the world of large-membrane condenser microphones for everyone who’s looking for the best performance at an affordable price!

The LCT 550 is the first and only large-diaphragm studio microphone ever to achieve 0 dB (A) self-noise*. That makes it possible to capture even extremely weak signals with great precision and detail.

The Austrian-developed LCT 550 sets new standards in terms of more than just self-noise. A dynamic range of 140 dB (A) guarantees the best-possible results even in challenging settings. The three pre-attenuation levels (0 dB, -6 dB and -12 dB) increase maximum SPL to as high as 155 dB (A). The LCT 550 also offers a clipping history as well as an auto-attenuation mode that automatically switches to the next level of attenuation if the signal is too strong. For the elimination of structure-borne noise, there are two high-pass filters: 80Hz, 12dB/octave and 160Hz, 6dB/octave.

Manufacturing tolerances have been minimized thanks to highly precise calibration of the capsule and the electronics – which means that any two microphones from this series, set identically, will always form a matched pair at +/- 0 dB!

* 0dB-A electronics only, 3 dB (A) according to IEC 60268-1 due to Brownian motion (in simple terms: the sound caused by the movement of air molecules ...)

LEWITT’s LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones. This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably rich and exceptionally nuanced sound, and exhibits a remarkable set of qualities that enthuses even the most discerning users. The LCT 640 excels in a variety of demanding studio applications and stands for unrivalled performance in miking lead and background vocals, drums, percussion instruments, grand pianos, brass and woodwinds, classical music ensembles. In addition to the standard omni-directional, cardioid and figure-8 polar patterns, the LCT 640 offers a wide-cardioid and super-cardioid characteristic. It offers a dynamic range of 135 dB and stands out for its extremely low self-noise of 10 dB. In combination with a 4-level high-pass filter and 4-level switchable pre-attenuation, the LCT 640 provides maximum versatility in all recording situations. Automatic attenuation, key-lock, clipping history, push buttons and a light-up user interface round off the features of this outstanding microphone.

The LEWITT DGT 650 is a stereo USB recording solution and interface for PC, Mac and iOS devices in one. It features four recording modes starting with the XY Stereo Mode for live stereo recording. Cardioid Mode for vocal recordings and similar applications. In Singer/Songwriter Mode an acoustic and a line source - like vocals and a guitar - are recorded on separate tracks. The Stereo Line-In Mode is for capturing a stereo line signal like a synthesizer or mixing console stereo output. Furthermore MIDI is available also in all four modes.

24 bit / 96 kHz, 110 dB dynamic range, two step pre-attenuation and high pass filter lay the foundations for best-possible recordings. Asynchronous USB transfer, support of OS X Core Audio and ASIO for Windows, the option to crossfade between zero latency direct and minimum latency tape return monitoring and the built-in high impedance amplifier for studio headphones, ... all those features in one single device opens up a wide range of possible applications: recording vocals, instruments and live acts wherever you go, stereo miking, field recording, Podcasts and YouTube productions, just to name a view.

In short: the DGT 650 is more like your mobile recording studio than just a USB microphone.

LEWITT’s LCT 840 is a premium-class externally polarized dual-diaphragm tube microphone designed to excel in a variety of demanding applications. Equipped with a precision-engineered 1-inch capsule, the LCT 840 stands for exceptionally warm and classic, solid vintage sound. Perfectly suited for miking vocals and instruments, this rugged multi-purpose microphone allows for highly nuanced and authentic sound reproduction in the studio and even on stage. Five switchable polar patterns – omni-directional, cardioid, figure-8, wide-cardioid and super-cardioid – make the LCT 840 a highly versatile tool for professional audio engineers and performers looking for true and authentic tube sound. Like all LEWITT mics, the LCT 840 stands out for its extremely low self-noise of 9 dB and effective rejection of off-axis sounds. The microphone features three levels of attenuation and three switchable high-pass filters, LEDs and pushbuttons for noiseless handling on the power supply unit (PSU). LEWITT LCT 840 Apart from user-friendly operating controls and advanced technological features so essential to memorable recordings, the LCT 840 also makes an eye-catching design statement: The microphone is equipped with a plexiglass inspection window on the front side of the body, so the illuminated tube itself is fully exposed. The inside window surface is coated with a highly conductive, yet transparent film preventing electromagnetic interference. In short: The unique combination of innovative design, high-end technology and tube-typical sound quality ensures magic takes.

Sound professionals naturally rely on a set of different high-end microphones in order to get the best out of their sound. But changing microphones and adjusting settings takes valuable time, the creative flow of a session is interrupted. With its new Authentica series flagship LCT 940, LEWITT now introduces a microphone that will revolutionize modern studio recording procedures and help engineers and artists to react more quickly to a desired change of style and sound.

The LCT 940 combines the specific characteristics of a premium large-diaphragm FET condenser microphone and a top-notch tube microphone in one housing. Basically, users can choose between the two main settings "FET" and "Tube". These two signal paths have been incorporated separately and work independently of each other.

"Tube" delivers the classic, warm and rich tube sound, while "FET" stands for the clear, exceptionally rich and nuanced sound LEWITT condenser microphones are renowned for. However, the LCT 940 offers another unique feature that true recording enthusiasts will swoon over: As the characteristics of the two main settings can be mixed and merged continuously variable, the LCT 940 opens up huge creative possibilities for artists and producers.

Furthermore, the LCT 940 features a total of nine different polar patterns – our five "standard" polar patterns omni-directional, cardioid, figure-8, wide- and super-cardioid and four additional intermediate patterns. The microphone features four levels of attenuation and four switchable high-pass filters, LEDs and push buttons for noiseless handling on the PSU. Automatic attenuation and clipping history round off the outstanding feature list of the LCT 940.

Rich in advanced technological features, the LCT 940 opens up a new dimension of sound reproduction in demanding professional studio applications. Its unrivaled set of qualities makes this microphone a must-have for recording pros who strive for nothing less than perfection.

The DTP Beat Kit 6 is a conveniently packaged start-up selection of dynamic and condenser drum and percussion microphones and mounts, designed to offer performers and audio engineers of all experience levels everything needed for expert live sound reinforcement, home recording and studio recording.

The 6-piece drum kit includes one DTP 340 REX and three DTP 340 TT super-cardioid dynamic drum mics, two LCT 140 condenser mics, windshields and drum- and shock mounting systems, and comes in a convenient black aluminium carrying case. Thanks to carefully tailored frequency responses optimized for drum and percussion applications, as well as precision dynamic capsules and uniform directional pickup patterns ensuring high gain before feedback, the DTP 340 REX and the DTP 340 TT deliver fine-tuned drum sound with extraordinary detail and impact onstage and in the studio. LEWITT’s highly versatile and compact condenser all-rounder, the LCT 140, allows for accurate and clear sound capture of cymbals. Its transformerless design makes it immune to electromagnetic interference, and convenient LED displays and recessed slide switches make it a perfect fit for live applications.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

The DTP Beat Kit Pro 7 is an elite full-spectrum drum set designed for an ever growing number of professional drummers and sound engineers looking for a high-performance all-rounder kit that allows for reproducing authentic, powerful sound full of detail in any setting. From upscale studio projects to big live acts, the DTP Beat Kit Pro 7 provides just the kind of reliable premium gear you need for a memorable performance.

This 7-piece pro-kit contains our drum mic masterpiece, the dual-element cardioid DTP 640 REX, three dynamic DTP 340 TT mics, two LCT 340 condenser mics and one cardioid dynamic MTP 440 DM mic, as well as a selection of shock and drum mounts. All these pro-quality, precision-engineered microphones feature a tailored frequency response designed specifically for miking drums, percussions and bass instruments. The complete package exhibits fantastic SPL handling and off-axis sound rejection, delivering remarkably bright, smooth and balanced sound-anytime, anywhere.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

The LCT 140 is an extremely versatile, easy-to-use, compact 2/3-inch back-electret condenser microphone, perfectly suited for quality-conscious casual users. Its low-mass diaphragm delivers an exceptionally clear and natural sound, making it the perfect fit for a wide range of live and studio applications including drums and percussion, acoustic instruments or even vocal ensembles.

Thanks to its uniform cardioid pickup pattern that effectively suppresses off-axis sound, a wide dynamic range of 124 dB and its very low self-noise, the LCT 140 adds transparency and distortion-free detail to every sound recording. Its transformerless output design makes it immune to electromagnetic interference. The LED display can optionally be switched on and off for better handling in different environments. In short, the LCT 140 is an extremely versatile all-rounder microphone.

LEWITT’s LCT 340 is a 0.8-inch externally polarized condenser microphone that excels at capturing acoustic and percussion instruments, drums and vocals, and is perfectly suited for sophisticated live and studio applications. Two interchangeable capsules allow for quick and easy switching of patterns, ensuring greater flexibility without changing microphones.

The LCT 340 is equipped with four-position low-cut filter and pre-attenuation slide switches, dual-color LED indicators and a convenient snap closure. It offers a dynamic range of 124 dB and stands out for its extremely low self-noise of 15 dB. Last but not least, its transformerless output makes this ruggedly designed pro-mic resistant to electrical interference and a first-class pick for true sound enthusiasts.

With the dynamic performance microphone MTP 840 DM, LEWITT puts true studio performance onstage. Universally usable thanks to switchable sensitivity and a multi-step high-pass filter, infinitely durable and optimally equipped for punishing touring conditions without compromising on sound - this is what the MTP 840 DM stands for.

Excellent transient response, refined electronics and superior capsule design make the MTP 840 DM a unique tool for onstage use. Innovative circuitry design and the highest-quality components make for exceptionally low self-noise and a maximum of dynamic range when in active mode; the frequency curve, which is specially tailored for vocal recordings, provides the ultimate in sound quality.

Numerous useful features make the MTP 840 DM incomparably versatile onstage and in the studio. A three-step high-pass filter directly influences the proximity effect, allowing adaptation of the mic to an individual artist’s requirements. The built-in three-position switchable amplifier, is specially adapted to the MTP 840’s components, allowing lossless recording of even far-off sources. The LEDs on the MTP 840 DM, which can be turned off, make checking the mic’s numerous settings a direct and easy matter even in the dark.

The new dynamic flagship MTP 840 DM transports the artist’s voice in a natural and powerful way, lending his or her voice the necessary presence without falsifying its individual character. Consistent directionality across the entire frequency spectrum makes for maximum protection against feedback, with the flexibly suspended capsule reducing structure-borne noise to a minimum.

If you are looking for rich and detailed condeser sound for your stage performance, then this is the best possible value for your money. Our MTP 350 CM and MTP 350 CMs are quality condenser vocal microphones with a thin diaphragm back-electret capsule which brings a high level of sonic detail to demanding vocal applications. The MTP 350 CM and CMs feature a new improved internal shock-mount - their capsule is fully rubber-mounted enabling exceptionally low handling noise. A built-in spherical wind and pop filter compliments specially tailored frequency response to ensure consistently rich and powerful output. No matter whether on stage or in the studio, the models’ tailored frequency response always allows for maximum precision and unsurpassed clarity, taking professional vocal tracking to the next level. A new and smaller switch on the MTP 350 CMs efficiently prevents accidential operation and reduces unwanted handling noise.

The uniform cardioid pickup pattern ensures noise-free transmission, with essential sound sources being effectively isolated while unwanted feedback and background noise are eliminated. These microphones’ rugged construction and hardened steel-mesh grille ensure trouble-free handling on stage and in the studio.

Thanks to variably controlled dual element technology and fine tuned frequency responses, our flagship among drum microphones, the DTP 640 REX, offers unparalleled and powerful sound that will delight professional drummers and sound engineers alike. The DTP 640 REX is equipped with a high quality dynamic element and a condenser element – the dynamic element ensures accurate reproduction of the bass drum kick, while the condenser element optimally captures the rich low frequency sound of the drum’s shell. In order to guarantee full control over the two elements, they can be separately mixed on their own channels.

Since 2012, the DTP 640 REX offers two more features. The dynamic element emphasizes frequency ranges relevant for the kick drum in the ‘Dynamic Enhanced Frequency Response’ setting switchable right on the microphone, while the condenser element captures the sound neutrally. With ‘Dual Enhanced Frequency Response’, the character of the sound can be shaped even more individually – with this setting, the condenser element focuses on frequencies from 70 to 150 Hz and delivers a full body sound. The dynamic element provides the necessary power by focusing on the range between 3 and 5 kHz.

The combination of these features with the comprehensive tonal freedom of dual-element technology greatly increases the range of use, turning the DTP 640 REX into a universal tool for bass-heavy applications.

The ambitious DTP 340 REX developed for entry-level use and its upscale big brother designed for professional use, the DTP 640 REX, make the hearts of beat aficionados beat faster. Thanks to its cardioid polar pattern and customized frequency response, the dynamic DTP 340 REX offers everything you need to mic bass instruments: catchy, impressive sound and reliable performance on stage and in the studio.

Since 2012, the DTP 340 REX offers another innovative feature. In addition to the accustomed neutral and pure sound – developed for maximum application diversity –, the ‘Enhanced Frequency Response’ switchable right on the microphone will deliver an unbeatably impressive sound by emphasizing frequencies from 70-150 Hz and 3-5 kHz – especially optimized for use on kick drums.

Real studio performance onstage - at present, this can only be found in the top model of LEWITT’s MTP Performance Series. Meeting the highest standards onstage and in the studio requires no less than the world’s most technically advanced, most innovative and most full-featured handheld condenser microphone: the new MTP 940 CM - a milestone of audio technology.

The externally biased large-diaphragm capsule of the MTP 940 CM lends the lead voice the necessary presence in an infinitely subtle, detailed and authentic way. The source comes through clearly and authentically, processed with impressive feedback resistance and with undesired breath, popping and handling noise efficiently reduced to a minimum.

The MPT 940 CM boasts a 135 dB dynamic range - the widest ever achieved in a live microphone - due to its high headroom and LEWITT’s own Direct Coupling circuit design, which makes possible an unbeatably low self-noise level of just 9 dB. This means that the MTP 940 CM is also ideal for use in the studio, whenever the goal is to create a live atmosphere with the highest degree of acoustic precision.

The MTP 940’s comprehensive features and settings outshine those of more than a few purebred studio microphones. Three switchable polar patterns - wide cardioid, cardioid and supercardioid - ease recording of the most diverse sources; from lead vocals to choirs and on to classic unplugged situations with a singer and an acoustic instrument. A three-step high-pass filter makes it possible to directly influence the proximity effect, adapting it in the best-possible way to the sound source. And the three-position switchable preattenuation pad guarantees use even in extreme SPL environments. LEDs that can be switched off if desired, mean that checking settings quick and easy - a boon in dark environments and helpful in ensuring a fast and trouble-free setup process. The mic’s extremely stable and rugged construction can take even the roughest everyday touring knocks with no problem.

For everyone who’s always dreamed of taking their studio mic into their hands and onstage, or of recreating a live atmosphere in the studio at an uncompromising level of quality, the MTP 940 CM is the only right choice. With the optimal synergy between versatility, innovation and superior sound characteristics, it sets a new benchmark in the world of high-end microphones.